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Before we look at intervals that go down in pitch instead of going up, we'll take a look at how intervals can be put together to form an octave.
It is fairly simple. You want to find two intervals that together make an octave. The following list shows which intervals can be added:
As you may notice, the type of intervals changes from major to minor, or stays perfect.
Also notice: e.g. a major third + a minor sixth is one octave, and aslo a minor third + a major sixth is one octave. If one is major, than the other is minor.
The same is with diminished and augmented:
An augmented fourth + a diminished fifth is an octave, just as a diminished fourth + an augmented fifth is an
octave.
Now this all is very theoretical. Let's see how we can actually use this information.
Negative intervals go down in pitch. E.g. Instead of going up a third, you can go down a third:

When you go down a minor third starting at C, you end up on the A. If you would go the other way from C to A, You would have a major sixth:

This way it can be easy to go down an interval. Another example: let's go a minor seventh down.
We already now that a seventh + a second = an octave. We also now that a minor seventh + a major second = an
octave.
So, if we go down a minor seventh, starting at C, that would be the same as first going an octave down, after
that going a major second up. A major second on C is a D:

There is a lot of theory, and math, in intervals. Once you start analyzing them, the pieces will eventually fall into place. There is one thing left in this part of the course: the relation between scales and intervals.